Mahler Chamber Orchestra / Yuja Wang

Alexander Tsfasman can rightly be described as »Russia’s George Gershwin«. Very much as in Gershwin’s famous Rhapsody in Blue, in Tsfasman’s Jazz Suite laid-back swinging rhythms and typical jazz harmonies encounter the breakneck virtuosity of the solo piano – and a good dash of romantic melodiousness in the style of Rachmaninov.

Maurice Ravel was also fascinated by jazz, which he had experienced at a concert tour in the USA. Yuja Wang is also on the piano here for Ravel’s piano concerto, which sprinkles jazz harmonies into wonderfully dreamy French impressionism.

The two orchestral pieces always let the contemporary shine through, but are actually based on old musical forms: in his »Tombeau de Couperin«, Ravel gives a nod to baroque dances and styles for a suite and Stravinsky considered concerti grossi such as J.S. Bach wrote when composing his orchestral concerto. The instruments emerge in groups or even individually as a solo – the speciality of the Mahler Chamber Orchestra, which sees itself as a unique collective characterised by chamber music.