International Mendelssohn Festival 2024
Liszt / Schumann / Mendelssohn Bartholdy
Eine Spielerei. Bühne frei!
Der große Opernkomponist Giuseppe Verdi, der diesen Konzertabend eröffnet, nannte sein einziges Streichquartett »eine Spielerei«. Der Legende nach komponierte er sein Quartett aus reinem Zeitvertreib, da die Proben für Aufführungen seiner »Aida« in Neapel ins Stocken geraten sind. Mit seiner Aussage untertrieb Verdi wie so oft. Der französisch-zypriotische Pianist Cyprien Katsaris führt mit einer spontanen Improvisation auf Opern-Themen von Verdi die Spielerei weiter fort. Im weiteren Programm spielt Katsaris Romanzen, Lieder und Fantasien von Robert Schumann, Felix Mendelssohn und Franz Liszt. Cyprien Katsaris ist ein Klaviervirtuose mit ganz besonderer Liszt-Affinität und hat zeitlebens in hohem Maße zu einer neuen Sicht auf Liszts Klavierwerk beigetragen. Im Jahr 2023 erhielt er den Franz-Liszt-Ehrenpreis, verliehen von der Klassik Stiftung Weimar und der Neuen Liszt Stiftung.
Performers
Fine Arts Quartet
Ralph Evans violin
Efim Boico violin
Gil Sharon viola
Niklas Schmidt violoncello
Cyprien Katsaris piano
Programme
Giuseppe Verdi
Streichquartett e-Moll
Cyprien Katsaris
Spontane Improvisation auf Opern-Themen von Verdi
– Interval –
Felix Mendelssohn Bartholdy
Gondellied A-Dur
Ferdinand David / Franz Liszt
Gondellied / Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Impromptu / aus: Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Robert Schumann
Fröhlicher Landmann / aus: Album für die Jugend op. 68
Soldatenmarsch / aus: Album für die Jugend op. 68
Felix Mendelssohn Bartholdy
Sechs Kinderstücke op. 72/1
Ferdinand David / Franz Liszt
Kinderlied / aus: Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Scherzo / aus: Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Felix Mendelssohn Bartholdy
Scherzo e-Moll / aus: Trois Fantaisies ou Caprices op. 16
Ferdinand David / Franz Liszt
Romanze / aus: Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Robert Schumann
Fis-Dur. Einfach / aus: Drei Romanzen
Felix Mendelssohn Bartholdy
Lied ohne Worte A-Dur op. 62/6 »Frühlingslied«
Fanny Hensel
Allegro moderato op. 8/1 / Vier Lieder ohne Worte
Ferdinand David / Franz Liszt
Ungarisch / aus: Bunte Reihe, 24 Stücke für Violine und Klavier von Ferdinand David
Franz Liszt
Fantasie über ungarische Volksmelodien für Klavier und Orchester S 123 / Bearbeitung für Klavier solo von Hans von Bülow / Cyprien Katsaris
sowie Werke von Felix Mendelssohn Bartholdy und Robert Schumann
Promoter: International Mendelssohn Festival c/o Niklas Schmidt
Location
:
Elbphilharmonie
Kleiner Saal
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
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Cloakroom
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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